While some collections from rugby-inspired polos with knee-high Pilates socks (Christian cowan) or striped loyalty and Nonetz (Diotima) nodded light polaries, others waved their poms (in a figurative sense and literally). Gabe Gordon presented a collection that “points out that the desire is not simply expressed by body, but by effects,” said his show notes. And the effects in question clearly include a metaphor that looked some looks with the shrugs that looked like both football shoulder cushions as well as actual footballs. The graphics dress “Get Your Goat On” also speaks for itself.
The new creative director of the region, Nicholas Aburn, made his debut with lively and joyful designs. The spring collection contained Tinsel Pom Pom Pom money exchanges (which quickly became viral) and sequin dresses made of deconstructed basketball jerseys from the Chicago Bulls, Los Angeles Lakers and more.
In the meantime, Kate Barton’s collection was the first to be aware of me personally, thanks to a long -arm jersey with a collar, paired with a bladder skirt. In the show notes it says: “Retro sports references are interwoven with evening clothing codes and underlined Barton’s fresh instinct to reconcile the sporty with the female, the nostalgic with the new.”
And the influence of the sports jersey did not end there. After Dauphinette had lost three years free from NYFW, he stepped back into the spotlight with an urgently beautiful collection. But of course the style that shone for me was a polo top covered with the number 10 on the back (usually reserved for the best of the best football players like Lionel Messi).
