How good is it? In the past few weeks you have probably heard how good the paradise is. You have probably seen how people were excitedly published on various social media platforms about the epic Big Twist at the end of the pilots, a staple food for fogelman’s work (see: This is us and pitch). But what about this show that all has in a choke pit? Apart from its exciting, timely and terrible conditions, the paradise shows what Fogelman can do best: layer, fascinating characters (with black leads! Including complex black women!) For whom you cannot do otherwise and who trusts yourself and feel fresh at the same time. There is the NEPO baby president who never really wanted responsibility, but raises himself on this occasion because his country needs him in Marsden as a charming president Bradford who is reminiscent of Scandal’s Fitz, but less petulant. The enigmatic Marshall as Agent Robinson is the career-oriented woman in a field dominated by men who risks to sleep with her boss, who is slightly olivia pope but less just. There is the young daughter who interferes in matters that she shouldn’t be. Aliyah Mastin is perfect as Presley Collins, one of the most realistic and assignable teenage girls on television, in contrast to her unbearable predecessors such as Homeland’s Dana Brody or the American’s Paige Jennings. And of course there is the hero secret service, Xavier Collins, who has a tragic background story and a dead woman. Brown is at its best and channeles all major action stars in the history of Hollywood and gives density-like gravitas and unique vulnerability.
Paradise is a hit because Sterling K. Brown is the hero -TV requirement
